1480-1528 Italian Palma Vecchio Gallery His birthdate is calculated on Vasari testimony (1550) that he died aged 48. By March 1510 he was in Venice, where he spent his working life. The stylistic evidence of his earliest works suggests that he was apprenticed to fellow Bergamasque artist Andrea Previtali, who had studied under Giovanni Bellini. A signed Virgin Reading (1508-10; Berlin, Gemeldegal.), which may be Palma Vecchio earliest surviving painting, is strongly reminiscent of his teacher. Previtali returned to Bergamo in 1511, and the main corpus of Palma work can be dated from this time. Palma Vecchio oeuvre reflects the change from an early to a high Renaissance conception of the human figure in secular and religious art. He specialized in certain themes that became established in the repertory of genres of the Venetian school in the generation after him. The principal of these were the wide-format SACRA CONVERSAZIONE   Related Paintings of Palma Vecchio :. | Portrait of a Young Man af | Paola Priuli and Francesco Querini | The Adoration of the Shepherds with a Donor (mk05) | Diana discovers Callisto's Misdemeanour (mk08) | Diana discovers Callisto's Misdemeanour |
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martinus rorbye

VERMEER VAN DELFT, Jan
Dutch Baroque Era Painter, 1632-1675
Jasper Francis Cropsey
(February 18, 1823 - April 23, 1900) was an important American landscape artist of the Hudson River School. Cropsey was born on his father Jacob Rezeau Cropsey's farm in Rossville on Staten Island, New York, the oldest of eight children. As a young boy, Cropsey had recurring periods of poor health. While absent from school, Cropsey taught himself to draw. His early drawings included architectural sketches and landscapes drawn on notepads and in the margins of his schoolbooks. Trained as an architect, he set up his own office in 1843. Cropsey studied watercolor and life drawing at the National Academy of Design under the instruction of Edward Maury and first exhibited there in 1844. A year later he was elected an associate member and turned exclusively to landscape painting; shortly after he was featured in an exhibition entitled "Italian Compositions." Cropsey married Maria Cooley in May 1847, traveled in Europe from 1847-1849, visiting England, France, Switzerland, and Italy. He was elected a full member of the Academy in 1851. Cropsey was a personal friend of Henry Tappan, the president of the University of Michigan from 1852 to 1863. At Tappan's invitation, he traveled to Ann Arbor in 1855 and produced two paintings, one of the Detroit Observatory, and a landscape of the campus. He went abroad again in 1855, and resided seven years in London, sending his pictures to the Royal Academy and to the International exhibition of 1862. Returning home, he opened a studio in New York and specialized in autumnal landscape paintings of the northeastern United States, often idealized and with vivid colors. Cropsey co-founded, with ten fellow artists, the American Society of Painters in Water Colors in 1866. He resided in the City until 1885, when he removed to Hastings-on-Hudson. The monument of Jasper Francis Cropsey in Sleepy Hollow CemeteryCropsey's home and studio, Ever Rest, in Hastings-on-Hudson, New York as well as the largest permanent collection of Cropsey's work are open for tours by the Newington-Cropsey Foundation. Jasper Cropsey died in anonymity but was rediscovered by galleries and collectors in the 1960s. Today, Cropsey's paintings are found in most major American museums, including the National Gallery of Art, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Detroit Institute of Arts, the Timken Museum of Art in San Diego, the Honolulu Academy of Arts, the Fine Arts Museums of San Francisco, the Denver Art Museum, and the Museum of Fine Arts, Boston. Works by Cropsey also hang in the White House.